November 23

THE THEATRE OF HISTORY: A TRIBUTE TO MANOEL DE OLIVEIRA

Until his death at the age of 106 in April last year, Portuguese director Manoel de Oliveira (1908–2015) was considered to be the oldest active filmmaker in the world. Born not long after the invention of cinema itself, Oliveira was the only director whose career reached from the silent era to the digital age. He was also, unquestionably, a major figure of world cinema who was recognised by lifetime achievement awards from the Cannes and Venice film festivals as well as being awarded the French Legion of Honour. The Melbourne Cinémathèque takes this opportunity to pay tribute to a great director.


7:00PM – VISIT, OR MEMORIES
 AND CONFESSIONS

Manoel de Oliveira
 (1982/2015) 68 mins
Unclassified 15+ Unless accompanied by an adult

Oliveira’s cinematographic elegy is an exploration of spaces (including the director’s home in Porto), objects and loved ones encompassing the prodigious director’s life and filmmaking career. Made in 1982, with the instruction that it not be shown until after his death, Oliveira’s ruminative observations and fluid camerawork bring his distinctive world to life yet again in a deeply personal essay that drifts through physical spaces and orbits around intangible memories. Finally screened in 2015, it is now available with thanks to the Oliveira family.

35mm print courtesy of Cinemateca Portuguesa.


8:20PM – FRANCISCA

Manoel de Oliveira
 (1981) 166 mins
Unclassified 15+ Unless accompanied by an adult

Oliveira’s brilliant and expressly literary adaptation of Agustina Bessa-Luís’ 1979 novel is widely regarded as one of the director’s key works and the first of his long, fruitful collaboration with producer Paulo Branco. In many ways this tragic story of doomed love harks back to the elemental, shadowy world of silent cinema while paving the way for the extraordinarily productive final phase of the director’s career. Deploying a heightened mixture of self-conscious theatricality, historical detail and documentary fidelity, Oliveira’s opus is “one of the most complete expressions of the director’s eight decade career” (Michael J. Anderson).

35mm print courtesy of Cinemateca Portuguesa.

4–18 February
"YOU CAN NEVER GO FAST ENOUGH": THE EARLY 1970s ROAD MOVIE AS THE QUINTESSENTIAL NEW HOLLYWOOD GENRE

25 February–11 March
TALES OF MODERN LOVE: LEOS CARAX, REBIRTHING CINEMA

18 March–1 April
WIM WENDERS, ROADS TO EVERYWHERE

Wednesday 8 April
PERSONS OF INTEREST: THE INDEPENDENT FILM WORK OF HAYDN KEENAN AND ESBEN STORM

15–29 April
X-RAYS OF THE SOUL: THE INTIMATE HUMAN DRAMAS OF RYUSUKE HAMAGUCHI

6–20 May
A WOMAN OF HER TIME: JULIE CHRISTIE

27 May–10 June
NO ONE HERE GETS OUT ALIVE: JOHNNIE TO, DANCING WHILE THE BUILDING BURNS

17 June–1 July
LIGHT WITHOUT MERCY: THE TRAGI-COMIC WORLD OF ROY ANDERSSON

8–22 July
BY ANY MEANS NECESSARY: SPIKE LEE, AMERICAN PROVOCATEUR

Wednesday 29 July
WILD MAN: GEOFF MURPHY AND THE BIRTH OF THE AOTEAROA NEW ZEALAND FILM INDUSTRY

2–16 September
HAUNTED WORLDS: MARIO BAVA, THE DIABOLICAL MAGICIAN OF CINECITTÀ

23 September–7 October
ZDENĚK LIŠKA, COMPOSER AND CO-AUTEUR EXTRAORDINAIRE

14–28 October
ILLICIT ATTACHMENTS: THE CLANDESTINE CINEMA OF MARCEL CARNÉ

4–11 November
THE HEART OF THE MATTER: THE FILM POETICS OF ANNE-MARIE MIÉVILLE

Wednesday 18 November
LIFE ON HOLD: JOCELYNE SAAB, A VOICE FOR THE DISPLACED

Wednesday 25 November
CRITICAL LANDSCAPES: THE POLYMORPHIC WORLDS OF ROSS GIBSON

2–16 December
STRAIGHT SHOOTER: JOHN FORD, AMERICAN MASTER