May 3

BOLD ASPIRATIONS: HAROLD LLOYD AND 1920s AMERICA

With his characters quickly evolving beyond initial comparisons to the tragicomic work of Charlie Chaplin and the deceptively athletic and soulful Buster Keaton, Harold Lloyd (1893–1971) was a genius of physical comedy whose bespectacled go-getters perfectly embody 1920s America’s bold aspirations. A powerful example of an independent artist, Lloyd formed his own production company in 1924, and his formal and technical innovations (such as the trick perspective used for the iconic clock scene from Safety Last!) would go on to inspire many others in the industry. Here is a joyful tribute presenting three of the 12 features he made in the 1920s including two of his most indelible efforts, Safety Last! and The Freshman and the widely underrated Why Worry? ,

May 3

7:00pm SAFETY LAST!
Fred Newmeyer & Sam Taylor (1923) 67 mins
Unclassified (with no age restrictions)

A classic of American social comedy, Lloyd’s most famous work appears today as a singularly lucid encapsulation of the hopes and depredations of early modernism. Trading off his image as the quintessential American “working man,” Lloyd’s bespectacled, go-getter persona substitutes the inspired models of Keaton and Chaplin for a harsher, more existentialist approach to physical comedy. Radically and profoundly de-centring Lloyd’s presence, the film emphasises the ways modern city life enforces social mobility through its control of space – a sobering, very 21st century notion.

CTEQ Annotation:
Safety Last! by James L. Neibaur.

Trailer:


8:20pm WHY WORRY?
Fred Newmeyer & Sam Taylor (1923) 63 mins
Unclassified (with no age restrictions)

In this under-appreciated classic, Lloyd steps out of his famous “speedy” go-getter character and into the role of a wealthy hypochondriac travelling to the tropical “El Paradiso” to relax, yet finding himself in the midst of a revolution. Lloyd’s meticulously designed gag sequences and sly lampooning of American life still dominate even when faced with a foreign “exotic” culture. Containing early examples of the surreal madcap humour subsequently popularised by the Marx Brothers in Duck Soup, it also provided the blueprint for Woody Allen’s Bananas many decades later.

CTEQ Annotation:
Why Worry? by Brad Weismann.


9:35pm THE FRESHMAN
Fred Newmeyer & Sam Taylor (1925) 76 mins
Unclassified (with no age restrictions)

Lloyd’s dopey freshman is determined to be popular in this classic tale of an awkward misfit who falls in love with his landlady’s daughter. Amidst a slew of classic college archetypes and situations, this simple narrative enables Lloyd’s inventive physical comedy to be strengthened by a genuinely sympathetic persona. Lloyd’s biggest box-office hit was also a peak in his artistic career. It also illustrates his influence on the rest of Hollywood, where the number of films using this setting – including Buster Keaton’s College in 1927 – increased exponentially in the following years.

CTEQ Annotation:
The Freshman by Fred Newmeyer & Sam Taylor.

Trailer:

February 5
OPENING NIGHT

February 12 – February 26
VITTORIO DE SICA: CINEMA, ITALIAN STYLE

March 4 – March 18
LIGHT AND SHADOW: THE MERCURIAL STARDOM OF MARLENE DIETRICH

March 23 – April 6
CAST A DARK SHADOW: THE BEAUTIFUL SADNESS OF DIRK BOGARDE

April 13 – April 29
THE BIG CARNIVAL: THE FILMS OF BILLY WILDER

May 6 – May 20
“LIFE’S PARADE AT YOUR FINGERTIPS”: DOUGLAS SIRK

May 27 – June 10
WILDFLOWERS: DANCING, DESIRE AND FREEDOM IN THE FILMS OF GILLIAN ARMSTRONG

June 17 – July 1
DRIFTING STATES: THE FILMS OF APICHATPONG WEERASETHAKUL

July 8
AT HOME IN THE WORLD: CECIL HOLMES, ACTIVIST FILMMAKER

July 15 – July 29
HIROSHI SHIMIZU: FORGOTTEN MASTER

September 2 – September 16
JEAN COCTEAU: THE POETRY OF DREAMS

September 23 – September 30
QUEERING THE ARCHIVE: THE CINEMA OF BARBARA HAMMER

October 7 – October 14
GALLOWS BACCHANALIAS, FRACTIOUS FAIRY-TALES AND THE RULE OF THREE: THE CINEMA OF JURAJ JAKUBISKO

October 21 – November 4
REACHING BEYOND THE FRAME: THE POETIC CINEMA OF ABBAS KIAROSTAMI

November 11 – November 25
BORSCHT, SAUERKRAUT, GOULASH AND LEMONADE: AN INTRODUCTION TO OSTERNS AND RED WESTERNS

December 2 – December 16
THE LAND IS OURS: YOUSSEF CHAHINE