December 12 – December 19

ANARCHY AND ECSTASY: THE INTERMEDIATE CINEMA OF DUŠAN MAKAVEJEV

Just as his native Yugoslavia was situated in the turbulent middle-ground between the communist East and the capitalist West, Dušan Makavejev (1932–) swayed from social realism to sexual revolution in a lively and controversial directorial career that spanned the 1950s to the 1990s.

Coming of age in the charged atmosphere of post-war Belgrade, Makavejev was a strident Marxist whose formative experiences with death and decimation would inform a lifetime of sharply focused satire. As a young teenager roaming the streets on the night the war in Europe was declared over, Makavejev observed the corpses of defeated German soldiers stacked along footpaths as throngs of joyous Yugoslavs danced victoriously in the streets. This bizarre and darkly absurdist juxtaposition would influence his own sensibilities as a director, planting the seeds of an uncanny ability to find perverse humour in the deadly serious. Internationally celebrated for films such as Innocence Unprotected, WR: Mysteries of the Organism and Sweet Movie, two of which are included in this season of imported prints, his hybrid, hypertextual style – combining documentary, fiction and archival footage to incisively critique contemporary society, Marxism, sex, violence and bodily functions – earned him a place at the head of the radical Yugoslav Black Wave, and expulsion from his country of birth.

Makavejev’s profoundly energetic and libidinous films are ripe for rediscovery by modern audiences.

December 12

7:00pm – INNOCENCE UNPROTECTED
Dušan Makavejev (1968) 75 mins – Unclassified 15 +*

In 1941, Serbian gymnast Dragoljub Aleksić wrote, directed and starred in a naively narcissistic folktale about a virginal young girl enamoured of the virile prowess of a heroic Serbian strongman. Makavejev takes portions of that unreleased film and intercuts them with footage of the Nazi Occupation, along with interviews with Aleksić and fellow cast and crew to create a montage of attractions that slyly riffs on the several possible readings of the film’s title. Roger Ebert called this truly unique compilation film “one of the most delightful movies I’ve ever seen, and one of the hardest to describe”.

35mm print courtesy of the British Film Institute Archive.


8:25pm – LOVE AFFAIR, OR THE CASE OF THE MISSING SWITCHBOARD OPERATOR
Dušan Makavejev (1967) 70 mins – M

This infinitely mind-bending exploration of love, freedom and shared political attitudes between a young telephonist and a middle-aged rodent exterminator is also a tragic romance set within the gleefully satirical confines of Makavejev’s freewheeling cinema. The film therefore has no choice but to quickly spiral into an exercise in reflexivity that calls into question the earnestness of both intimacy and socialist realism. Tongue-in-cheek interviews with sexologists and criminologists further demonstrate the director’s dexterity in blending genres along with his skill in fashioning sophisticated humanistic melodrama. 

35mm print courtesy of the British Film Institute Archive.


9:45pm – MAN IS NOT A BIRD
Dušan Makavejev (1965) 81 mins – Unclassified 15 +*

Makavejev’s groundbreaking first feature is a warts-and-all portrait of workers in a mining complex in a remote region of Yugoslavia. Emerging from the “new film” movement made possible by decentralisation and the democratisation of the film industry, Makavejev grasped the opportunity to express his idiosyncratic vision of personal freedom. Following the contrasting exploits and sexual relationships of an assembly expert and a violent smelting worker, the film aims to “show how people are permeated by ideologies, and how their conduct, gestures, opinions, thoughts, are unconsciously influenced by ideological hypnosis” (Makavejev).

35mm print courtesy of The British Film Institute Archive.

December 19

7:00pm – WR: MYSTERIES OF THE ORGANISM
Dušan Makavejev (1971) 84 mins – R

Makavejev’s incendiary punk provocation, a key work of the early 1970s European counterculture, premiered to great controversy in and outside of Yugoslavia. Deftly blending documentary and fiction, poststructuralist semiotics and sexual sociology, it begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich, before exploding into a free-form satirical narrative of sexual and aesthetic liberation, as befitting a nation on the verge of socio-political – and psychosexual – implosion. Makavejev’s seminal and playful film remains a definitive portrait of an entire generation’s aesthetic and libidinal unshackling.

35mm print courtesy of the National Film and Sound Archive, Australia.


8.35PM – MANIFESTO
Dušan Makavejev (1988) 95 MINS – R

For this “deliciously bawdy fairy tale spun in confectionery colours” (Sheila Benson), Makavejev returned to shoot his first film in his native Yugoslavia since WR: Mysteries of the Organism – shortly before the nation’s chaotic dissolution. Loosely adapting Émile Zola’s novella Pour une nuit d’amour, the action is set in 1920 in a village in an unnamed Central European country overripe with sexual and revolutionary intrigues. The eclectic cast includes Camilla Søeberg, Alfred Molina, Simon Callow (with whom the director had a celebrated falling out) and Chris Haywood, while the delightful animated titles are by Dušan Petričić.

February 7–21
JEANNE MOREAU: THE FACE OF THE NOUVELLE VAGUE

February 28 – March 14
“I AM HERE AND I DON’T KNOW WHY”: THE FREE-FORM FILMMAKING OF JOHN CASSAVETES

March 21 – April 2
TWISTED NERVE: BRITISH PSYCHOLOGICAL HORROR OF THE 1960s AND 1970s

April 9 – April 25
FRANÇOIS TRUFFAUT, CHILD OF THE CINEMA

May 2
GIRLS IN UNIFORM: LANDMARKS OF LESBIAN CINEMA

May 9
COLONIAL LEGACIES – THE VIEW FROM THERE. A COLLABORATION WITH THE HUMAN RIGHTS ARTS & FILM FESTIVAL.

May 16 – May 23
WITHOUT COMPROMISE: THOM ANDERSEN’S AMERICA

May 30 – June 13
PLAYING SOLO: THE SADLY BEAUTIFUL CAREER OF MONTGOMERY CLIFT

June 20 – July 4
THE STORY OF WOMEN: THE EXTRAORDINARY CAREER OF KINUYO TANAKA

July 11 – July 25
THE NIGHT HAS A THOUSAND EYES: GERMAN EXPRESSIONISM AFTER CALIGARI

August 22 – September 5
BEYOND LEONE: THE RADICAL LAWLESSNESS OF THE SPAGHETTI WESTERN

September 12 – September 26
ORIGINAL SINS: RESISTANCE AND FEMINISM IN THE AVANT-GARDE CINEMA OF VĚRA CHYTILOVÁ

October 3
CONTESTING HISTORY: BICENTENNIAL LEGACIES

October 10 – October 31
ON DANGEROUS GROUND: IDA LUPINO, TRAILBLAZER

November 7 – November 21
ECHOES FROM TAIWAN: THE MAJOR WORKS OF EDWARD YANG

November 28 – December 5
ON BODY AND SOUL: THE PASSION ACCORDING TO AMIEL COURTIN-WILSON

December 12 – December 19
ANARCHY AND ECSTASY: THE INTERMEDIATE CINEMA OF DUŠAN MAKAVEJEV