April 5

BROKEN TRAIL: WALTER HILL IN THE 1970s

Although the career of Walter Hill (1942–) is most commonly identified with the series of postmodern genre films he made in the 1980s (such as Streets of Fire), and reached a commercial peak with the production of 48 Hrs. in 1983, his influential work in the 1970s presents a leaner and more classical approach to genre. Hill began his Hollywood career as an assistant director on films like The Thomas Crown Affair before quickly establishing a formidable reputation as a writer of terse, downbeat, stripped back crime movies like Hickey & Boggs and The Getaway (he was also one of the producers of Alien later in the decade). The group of films Hill made between 1975 and 1980 after switching to directing, taking in Hard Times, The Driver, The Warriors and the elegant Western, The Long Riders, represent one of the most underrated contributions to that most storied of decades and betray the deep influence of classical directors such as Raoul Walsh and Howard Hawks.

This program presents Hill’s remarkable first two films and showcases their wonderfully lived-in sense of genre, place and movement. The two films also feature key performances by several iconic male actors of the decade including Charles Bronson, Ryan O’Neal, James Coburn and Bruce Dern.

April 5

7:00pm THE DRIVER
Walter Hill (1978) 91 mins M

Hill’s lean, iconic neo-noir was a significant influence on the work of Quentin Tarantino and Nicolas Winding Refn while itself paying loving homage to Melville’s Le samouraï and Raoul Walsh (who approved of the script prior to production). An unnamed driver (Ryan O’Neal) steals fast cars to use as getaway vehicles in a series of audacious LA heists, while an egocentric cop (Bruce Dern) doggedly tracks him down. Featuring some of the greatest car chases ever put on film, Hill’s streamlined cult movie has emerged as one of the key works of ’70s genre cinema, revelling in a cool and remarkably atmospheric vision of the nocturnal city.

With Isabelle Adjani and Ronee Blakley.

CTEQ ANNOTATION:
Bitumen Music: Walter Hill’s The Driver (1978) by John Edmond.

Trailer:


8:45pm HARD TIMES
Walter Hill (1975) 93 mins PG

Hill’s debut feature is a wonderfully atmospheric and physically robust portrait of a freight car-hopping drifter (Charles Bronson) who becomes involved in the brutal world of bare-knuckled boxing. Betraying the core influence of Hill’s previous collaborator, Sam Peckinpah, this bruising but soulful film carves out its own mood and strikingly taciturn, spare approach to action and genre. Shot on location in Louisiana, and pungently set during the Great Depression, it remains one of Bronson’s greatest films and features a marvellous support cast including James Coburn, Strother Martin and Jill Ireland.

CTEQ ANNOTATION:
Hard Times (1975): Walter Hill’s Bareknuckle Ballad by Adam Powell.

Trailer:

February 7–21
JEANNE MOREAU: THE FACE OF THE NOUVELLE VAGUE

February 28 – March 14
“I AM HERE AND I DON’T KNOW WHY”: THE FREE-FORM FILMMAKING OF JOHN CASSAVETES

March 21 – April 2
TWISTED NERVE: BRITISH PSYCHOLOGICAL HORROR OF THE 1960s AND 1970s

April 9 – April 25
FRANÇOIS TRUFFAUT, CHILD OF THE CINEMA

May 2
GIRLS IN UNIFORM: LANDMARKS OF LESBIAN CINEMA

May 9
COLONIAL LEGACIES – THE VIEW FROM THERE. A COLLABORATION WITH THE HUMAN RIGHTS ARTS & FILM FESTIVAL.

May 16 – May 23
WITHOUT COMPROMISE: THOM ANDERSEN’S AMERICA

May 30 – June 13
PLAYING SOLO: THE SADLY BEAUTIFUL CAREER OF MONTGOMERY CLIFT

June 20 – July 4
THE STORY OF WOMEN: THE EXTRAORDINARY CAREER OF KINUYO TANAKA

July 11 – July 25
THE NIGHT HAS A THOUSAND EYES: GERMAN EXPRESSIONISM AFTER CALIGARI

August 22 – September 5
BEYOND LEONE: THE RADICAL LAWLESSNESS OF THE SPAGHETTI WESTERN

September 12 – September 26
ORIGINAL SINS: RESISTANCE AND FEMINISM IN THE AVANT-GARDE CINEMA OF VĚRA CHYTILOVÁ

October 3
CONTESTING HISTORY: BICENTENNIAL LEGACIES

October 10 – October 31
ON DANGEROUS GROUND: IDA LUPINO, TRAILBLAZER

November 7 – November 21
ECHOES FROM TAIWAN: THE MAJOR WORKS OF EDWARD YANG

November 28 – December 5
ON BODY AND SOUL: THE PASSION ACCORDING TO AMIEL COURTIN-WILSON

December 12 – December 19
ANARCHY AND ECSTASY: THE INTERMEDIATE CINEMA OF DUŠAN MAKAVEJEV