Wednesday 27 November

PARADING THE PAST: RECENT ERNST LUBITSCH RESTORATIONS

Ernst Lubitsch (1892–1947) is one of the defining figures of the cinema of the first half of the 20th century. Starting as an actor in Max Reinhardt’s Deutsches Theatre, he quickly became a key director of German cinema, moving dexterously between comedies of manners, exotic fantasias and epic historical romances and adventures. Renowned as a director of elegant and sophisticated sexual comedies, his wonderfully balanced and playful work is a marvel of intricate production design and expressive mise en scène. Leaving for the United States in 1923, Lubitsch quickly established himself as a brilliant director of bittersweet, almost continental comic romances and Ruritanian fantasies of a vanishing Europe. The overwhelming musical quality of his cinema allowed his silent work to be truly alive to the possibilities of sound and enabled his smooth, often breathtakingly inventive transition into the talkie era. A multi-talented artist, Lubitsch was also a successful and expressive comic film actor in the 1910s and became Production Manager at Paramount Pictures in the mid-1930s, an appointment that recognised his extraordinary influence and mercurial “touch”. This program showcases the fourth film Lubitsch made in Hollywood, Forbidden Paradise (1924), starring the iconic Pola Negri (who had collaborated on six films with Lubitsch in Germany), alongside two further recent restorations of important films from his German period: Carmen (1918; also starring Negri) and Kohlhiesels Töchter (1920).

Wednesday 27 November

7:00pm FORBIDDEN PARADISE

Ernst Lubitsch (1924) 73 mins – Unclassified 15+

Newly restored to the most complete version available for almost 100 years, Lubitsch’s sparkling silent comedy stars Pola Negri as a devilishly sexy, seductively sultry Czarina who embarks on an affair with a soldier (Rod La Rocque). The director’s first film with Famous Players-Lasky, which would lead to his long and fruitful partnership with Paramount Pictures, features his trademark visual sophistication and comic timing as well as richly decorative set design by Hans Dreier and elegant cinematography by Charles Van Enger. With Adolphe Menjou in a key early role.

Restored by the Museum of Modern Art and the Film Foundation with funding provided by George Lucas Family Foundation.

CTEQ ANNOTATION
A Director and Star Reunite for Forbidden Paradise
by Shari Kizirian


8:35pm CARMEN

Ernst Lubitsch (1918) 94 mins – Unclassified 15+

Loosely based on Bizet’s opera and the source novella by Prosper Mérimée, Lubitsch’s second film with the libidinous Pola Negri, released as Gypsy Blood in the United States, is a lavish vehicle for the great silent star. Released around the time of Germany’s final defeat in World War I, this is a formative work that points towards the director’s preoccupation with sexuality and historical subject matter in such key films as Madame DuBarry. Scripted by Hanns Kräly, influential French critic Georges Sadoul called it Lubitsch’s “first important film”.

4K DCP.

A film from the holdings of the Friedrich-Wilhelm-Murnau-Stiftung (www.murnau-stiftung.de) in Wiesbaden.

CTEQ ANNOTATION
Carmen
by Faith Everard


10:20pm KOHLHIESELS TÖCHTER

Ernst Lubitsch (1920) 64 mins – Unclassified 15+

Amongst the most commercially successful of Lubitsch’s German films, this is an “adaptation” of Shakespeare’s The Taming of the Shrew transposed to 19th-century Bavaria. The film follows two sisters; Gretel is pretty and agreeable; Liesel is plain and obstinate (Henny Porten plays both). Tradition dictates that the younger sister cannot marry before the older and something must be done before both sisters are condemned to spinsterhood! Theodor Sparkuhl’s innovative camera techniques add extra punch to this underrated early Lubitsch film. With Emil Jannings.

A film from the holdings of the Friedrich-Wilhelm-Murnau-Stiftung (www.murnau-stiftung.de) in Wiesbaden.

CTEQ ANNOTATION
Kohlhiesels Töchter
by Michael Koller

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12–26 February
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5–19 March
THE PAST IS ALWAYS PRESENT: THE EVOLUTIONARY CAREER OF ROBERTO ROSSELLINI

26 March – 9 April
OUT OF THE PAST AND INTO FLARES: NEO-NOIR IN 1970s AMERICA

16–30 April
CONTINENTAL DIVIDE: THE UNFLINCHING VISION OF MICHAEL HANEKE

7–21 May
BARABARA STEELE: THE QUEEN OF SCREAM

28 May – 11 June
VÍCTOR ERICE: COME TOWARDS THE LIGHT

18 June – 2 July
REBELLIOUS MUSE: DELPHINE SEYRIG AS ACTOR, DIRECTOR AND ACTIVIST

Wednesday 9 July
DEEP DIVE: THE RESTLESSLY INVENTIVE WORK OF DIRK DE BRUYN

16–30 July
APPETITE FOR DECONSTRUCTION: SEIJUN SUZUKI

3–17 September
CINE DE ORO: TREASURES OF MEXICAN CINEMA’S GOLDEN AGE

24 September – 8 October
ONE FOR THE AGES: THE BALLADIC, PAINTERLY CINEMA OF FRANTIŠEK VLÁČIL

15–22 October
“ON THE EDGE OF FICTION”: ELIA SULEIMAN’S CINEMA OF BELONGING

29 October – 5 November
MARX, MELODRAMA AND MARCOS: LINO BROCKA FROM THE MID-1970s TO THE EARLY 1980s

12–19 November
IT’S TIME: AUSTRALIAN CINEMA IN 1975

Wednesday 26 November
MOTHER TONGUE: AUSTRALIAN WOMEN IN ANIMATION

3–17 December
THE COURAGE TO TAKE THINGS SERIOUSLY: JOHN M. STAHL’S UNIRONIC MELODRAMAS