Dedicated to screening rare & significant films in their original format.
The Melbourne Cinémathèque is a not-for-profit, volunteer-run film society.
The Melbourne Cinémathèque is a membership-based film society based in Melbourne, Australia.
We hold screenings at The Australian Centre for the Moving image every Wednesday night for most of the year.
This year many of our screenings are on Monday nights. Please check the program for details.
Admission is by membership, which can be obtained on a short-term or yearly basis.
We are a volunteer-run, not-for-profit organisation.
6:30pm TWO WOMEN
Vittorio De Sica (1960) 101 mins – M
Based on Alberto Moravia’s novel, this Cesare Zavattini-scripted tale of survival in war-torn Italy is one of De Sica’s most celebrated later films. Cesira (Sophia Loren) and her teenage daughter (Eleonora Brown) are on the run, fleeing the Allied bombing raids throughout Europe. This fictional story was partly based on the appalling events of May 1944 in rural Lazio, during what the Italians call the Marocchinate. Loren’s extraordinary performance won the Best Actress Oscar, the first ever for a non-English-language movie. With Jean-Paul Belmondo.
Courtesy of Cinecittà Luce.
8:25pm MARRIAGE ITALIAN STYLE
Vittorio De Sica (1964) 102 mins – M
One of the most famous Italian comedies of all time stars the sizzling, irrepressible duo of Sophia Loren and Marcello Mastroianni as lovers entwined in a two-decade-long tempestuous relationship, complete with capricious attractions, illegitimate children and a fraudulent wedding. De Sica’s flamboyant and fast-paced battle of the sexes is filled with wry humour and laugh-out-loud moments, developing into a disarmingly moving work which offers piercing insight into the Neapolitan mindset.
35mm print courtesy of Cinecittà Luce.
The Melbourne Cinémathèque started out as the Melbourne University Film Society (MUFS) in 1948 and changed its name to Cinémathèque in 1984.
The Melbourne Cinémathèque aims to present films in the medium they were created and as closely as possible to screen films the way they would have originally screened (i.e. big screen, celluloid prints, not video or DVD).
Programmes include a diverse selection of classic and contemporary films showcasing director retrospectives, special guest appearances and thematic series including archival material and new or restored prints.
We have on occasion hosted numerous seminars featuring renowned film scholars such as David Bordwell, Adrian Martin and Ian Christie. We are also dedicated to providing new annotations on the films we screen via the CTEQ annotations, hosted as a part of the quarterly online film journal Senses of Cinema.
The Melbourne Cinémathèque is self-administered and membership-driven relying on support from individuals, foundations, corporations and government funding to maintain its high standard of excellence. If you would like to be involved, or to offer donations or sponsorship, please contact us.
Presented by The Melbourne Cinémathèque with the Australian Centre for the Moving Image.
Curated by Michael Koller, Adrian Danks, Eloise Ross and Cerise Howard for the Melbourne Cinémathèque
Subtitling Logistics: Lorenzo Rosa
Music Synchronisation: Michael Koller
Supported by Film Victoria, RMIT University & The City of Melbourne Arts Grants Program.