Dedicated to screening rare & significant films in their original format.

The Melbourne Cinémathèque is a not-for-profit, volunteer-run film society.

We hold screenings at The Australian Centre for the Moving image every Wednesday night for most of the year.

Admission is by membership, which can be obtained on a monthly or yearly basis.


September 20

Juraj Herz (1972) 99 mins
Unclassified 15+ (unless accompanied by an adult)

Iva Janžurová puts in a tour-de-force performance as twin sisters Klára and Viktoria, the latter hell-bent on doing away with the former, in this deliciously overripe adaptation of Aleksandr Grin’s 1929 novel Jessie and Morgiana. With froufrou costuming and opulent production design informed by Herz’s enthusiasm for the work of Gustav Klimt, cinematographer Jaroslav Kučera has a field day with wide-angle lenses and employing prismatic colour effects exceeding even those found in his earlier films with Věra Chytilová. Features an eerie soundtrack by the brilliant Luboš Fišer.

35mm print courtesy of the National Film Archive in Prague.

A Tail and Two Sisters: Morgiana by Rhiannon Dalglish

8:50pm OIL LAMPS
Juraj Herz (1971) 101 mins
Unclassified 15+ (unless accompanied by an adult)

A virginal woman (Iva Janžurová) hopes to marry a jaded soldier in the Austrian army (Petr Čepek), wilfully ignorant of the dissolute proclivities that might just be sending him mad and attacking his body with a discomfiting wasting malady. Set, like its source, Jaroslav Havlíček’s 1944 novel, at the very outset of the 20th century, Herz’s sumptuous adaptation, enriched by “Dodo” Šimončič’s glorious cinematography, meshes the director’s love of Art Nouveau aesthetics with his peculiarly mordant Weltanschauung. The film’s ironically romantic score is by Luboš Fišer.

35mm print courtesy of the National Film Archive in Prague.


The Melbourne Cinémathèque started out as the Melbourne University Film Society (MUFS) in 1948 and changed its name to Cinémathèque in 1984.

The Melbourne Cinémathèque aims to present films in the medium they were created and as closely as possible to screen films the way they would have originally screened (i.e. big screen, celluloid prints, not video or DVD).

Programmes include a diverse selection of classic and contemporary films showcasing director retrospectives, special guest appearances and thematic series including archival material and new or restored prints.

We have on occasion hosted numerous seminars featuring renowned film scholars such as David Bordwell, Adrian Martin and Ian Christie. We are also dedicated to providing new annotations on the films we screen via the CTEQ annotations, hosted as a part of the quarterly online film journal Senses of Cinema.

The Melbourne Cinémathèque is self-administered and membership-driven relying on support from individuals, foundations, corporations and government funding to maintain its high standard of excellence. If you would like to be involved, or to offer donations or sponsorship, please contact us.

Presented by The Melbourne Cinémathèque and the Australian Centre for the Moving Image.

Curated by the Melbourne Cinémathèque.

Curatorial Committee: Michael Koller, Michelle Carey, Adrian Danks and Eloise Ross with assistance from Cerise Howard.

Supported by Screen Australia and Film Victoria.


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