Dedicated to screening rare & significant films in their original format.

The Melbourne Cinémathèque is a not-for-profit, volunteer-run film society.

We hold screenings at The Australian Centre for the Moving image every Wednesday night for most of the year.

Admission is by membership, which can be obtained on a monthly or yearly basis.


April 5

Walter Hill (1978) 91 mins M

Hill’s lean, iconic neo-noir was a significant influence on the work of Quentin Tarantino and Nicolas Winding Refn while itself paying loving homage to Melville’s Le samouraï and Raoul Walsh (who approved of the script prior to production). An unnamed driver (Ryan O’Neal) steals fast cars to use as getaway vehicles in a series of audacious LA heists, while an egocentric cop (Bruce Dern) doggedly tracks him down. Featuring some of the greatest car chases ever put on film, Hill’s streamlined cult movie has emerged as one of the key works of ’70s genre cinema, revelling in a cool and remarkably atmospheric vision of the nocturnal city.

With Isabelle Adjani and Ronee Blakley.

Bitumen Music: Walter Hill’s The Driver (1978) by John Edmond.


Walter Hill (1975) 93 mins PG

Hill’s debut feature is a wonderfully atmospheric and physically robust portrait of a freight car-hopping drifter (Charles Bronson) who becomes involved in the brutal world of bare-knuckled boxing. Betraying the core influence of Hill’s previous collaborator, Sam Peckinpah, this bruising but soulful film carves out its own mood and strikingly taciturn, spare approach to action and genre. Shot on location in Louisiana, and pungently set during the Great Depression, it remains one of Bronson’s greatest films and features a marvellous support cast including James Coburn, Strother Martin and Jill Ireland.

Hard Times (1975): Walter Hill’s Bareknuckle Ballad by Adam Powell.



The Melbourne Cinémathèque started out as the Melbourne University Film Society (MUFS) in 1948 and changed its name to Cinémathèque in 1984.

The Melbourne Cinémathèque aims to present films in the medium they were created and as closely as possible to screen films the way they would have originally screened (i.e. big screen, celluloid prints, not video or DVD).

Programmes include a diverse selection of classic and contemporary films showcasing director retrospectives, special guest appearances and thematic series including archival material and new or restored prints.

We have on occasion hosted numerous seminars featuring renowned film scholars such as David Bordwell, Adrian Martin and Ian Christie. We are also dedicated to providing new annotations on the films we screen via the CTEQ annotations, hosted as a part of the quarterly online film journal Senses of Cinema.

The Melbourne Cinémathèque is self-administered and membership-driven relying on support from individuals, foundations, corporations and government funding to maintain its high standard of excellence. If you would like to be involved, or to offer donations or sponsorship, please contact us.

Presented by The Melbourne Cinémathèque and the Australian Centre for the Moving Image.

Curated by the Melbourne Cinémathèque.

Curatorial Committee: Michael Koller, Michelle Carey, Adrian Danks and Eloise Ross with assistance from Cerise Howard.

Supported by Screen Australia and Film Victoria.


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MARCH 16, 7:00PM Douglas Sirk’s ALL I DESIRE to be replaced by Billy Wilder’s DOUBLE INDEMNITY as part of the Barbara Stanwyck program.