Dedicated to screening rare & significant films in their original format.
The Melbourne Cinémathèque is a not-for-profit, volunteer-run film society.
We hold screenings at The Australian Centre for the Moving image every Wednesday night for most of the year.
Admission is by membership, which can be obtained on a monthly or yearly basis.
6:30pm – PANDORA’S BOX
G. W. Pabst (1929) 136 mins PG
Screen goddess Brooks burns up the screen as the sexually energised and self-destructive Lulu in Pabst’s most celebrated film. A complex reflection on the sexual pathology and social hedonism of Weimar Germany, Pabst and Brooks’ exciting and provocative partnership created one of silent cinema’s most enduring, liberating and strangely moving works, with critics and audiences still waxing lyrical about its smoky sensuality today. David Thomson claimed it as “among the most erotic films ever made” and praised the “vivacious, fatal intimacy” of Brooks’ magnetic performance.
Courtesy of The British Film Institute
CTEQ ANNOTATIONS‘Pandora’s Box’ by Dan Harper.
8:55pm – THE CANARY MURDER CASE
Malcolm St. Clair (1929) 82 mins Unclassified 15+*
Brooks features as The Canary, an audacious nightclub singer whose penchant for blackmail and two-timing leaves no shortage of suspects after she falls victim to foul play. This tantalising whodunit was originally completed as a silent picture, but Paramount insisted on converting it to a “talkie”. Already ensconced in Berlin, Brooks refused to return to the US to complete any voice work, so her role was dubbed (and partly reshot) by Margaret Livingston (the Woman From the City in Sunrise: A Song of Two Humans). With William Powell, Jean Arthur and Eugene Pallette.
The Canary Murder Case by Brad Weismann.
The Melbourne Cinémathèque started out as the Melbourne University Film Society (MUFS) in 1948 and changed its name to Cinémathèque in 1984.
The Melbourne Cinémathèque aims to present films in the medium they were created and as closely as possible to screen films the way they would have originally screened (i.e. big screen, celluloid prints, not video or DVD).
Programmes include a diverse selection of classic and contemporary films showcasing director retrospectives, special guest appearances and thematic series including archival material and new or restored prints.
We have on occasion hosted numerous seminars featuring renowned film scholars such as David Bordwell, Adrian Martin and Ian Christie. We are also dedicated to providing new annotations on the films we screen via the CTEQ annotations, hosted as a part of the quarterly online film journal Senses of Cinema.
The Melbourne Cinémathèque is self-administered and membership-driven relying on support from individuals, foundations, corporations and government funding to maintain its high standard of excellence. If you would like to be involved, or to offer donations or sponsorship, please contact us.
Presented by The Melbourne Cinémathèque with the Australian Centre for the Moving Image.
Curated by the Melbourne Cinémathèque.
Curatorial Committee: Michael Koller, Adrian Danks, Eloise Ross and Cerise Howard, with Associate Curator Michelle Carey
Supported by Film Victoria, RMIT University & The City of Melbourne