May 20

FILMS FROM THE CO-OPS (PART 1)

This program presents key works made by filmmakers associated with the Sydney Filmmakers’ Co-operative in the 1970s and ’80s, touching on an alternative history of filmmaking in this rich period and covering films of political activism, social protest, personal expression, sexual liberation and technological and cultural change (Melbourne will be the focus of a follow-up program in 2016).


6:30PM – MY LIFE WITHOUT STEVE
Gillian Leahy (1986) 53 mins PG

Leahy’s celebrated short feature is a passionate exploration of the inner life and everyday world of an “unseen” woman suffering the ache of romantic loss. Brilliantly shot in a Sydney apartment, and situated somewhere between Marguerite Duras and Max Ophuls, it is a “journey into the dazzling dark night of the romantic soul” (Peter Kemp).

Preceded by

Maidens
Jeni Thornley (1978) 28 mins.

Combining home movies, photographs and footage from films she had acted in and worked on, Thornley’s highly influential work creates a poetic and incisively critical “found” footage essay on liberation, sexual equality and the public exploration of family life and history. Please note the earlier 6.30pm start time for this program.


8:15 PM – THE LOVE LETTERS FROM TERALBA ROAD
Stephen Wallace (1977) 50 mins

Wallace stumbled upon a series of letters in a Sydney flat in 1972, written by a man living in Newcastle in 1959. The letters chronicle the man’s persistent plea for forgiveness after having severely beaten his wife, and serve here as the structural narrative against which the screen drama is set. Though the real-life woman, tracked down by a journalist, initially threatened to sue Wallace, she later changed her mind after seeing the film and its treatment of issues of domestic violence. With Kris McQuade and Bryan Brown.


9:20 PM – AGAINST THE GRAIN: MORE MEAT THAN WHEAT
Tim Burns (1980) 76 mins

Burns’ remarkable, dystopic and challenging activist film charts the journey and movements of Ray Unit, a contradictory figure who provides a fascinating conduit through which to survey a range of hot-button issues including home-grown terrorism, woodchipping, national security and the effects of technology on individual freedom.

Preceded by

Serious Undertakings
Helen Grace (1983) 28 mins.

Grace and Erika Addis’ groundbreaking, montage-driven and formally dexterous film playfully explores contemporary politics, screen theory, and images of masculinity and femininity to provide an open-ended argument about history and identity.

February 5
OPENING NIGHT

February 12 – February 26
VITTORIO DE SICA: CINEMA, ITALIAN STYLE

March 4 – March 18
LIGHT AND SHADOW: THE MERCURIAL STARDOM OF MARLENE DIETRICH

March 23 – April 6
CAST A DARK SHADOW: THE BEAUTIFUL SADNESS OF DIRK BOGARDE

April 13 – April 29
THE BIG CARNIVAL: THE FILMS OF BILLY WILDER

May 6 – May 20
“LIFE’S PARADE AT YOUR FINGERTIPS”: DOUGLAS SIRK

May 27 – June 10
WILDFLOWERS: DANCING, DESIRE AND FREEDOM IN THE FILMS OF GILLIAN ARMSTRONG

June 17 – July 1
DRIFTING STATES: THE FILMS OF APICHATPONG WEERASETHAKUL

July 8
AT HOME IN THE WORLD: CECIL HOLMES, ACTIVIST FILMMAKER

July 15 – July 29
HIROSHI SHIMIZU: FORGOTTEN MASTER

September 2 – September 16
JEAN COCTEAU: THE POETRY OF DREAMS

September 23 – September 30
QUEERING THE ARCHIVE: THE CINEMA OF BARBARA HAMMER

October 7 – October 14
GALLOWS BACCHANALIAS, FRACTIOUS FAIRY-TALES AND THE RULE OF THREE: THE CINEMA OF JURAJ JAKUBISKO

October 21 – November 4
REACHING BEYOND THE FRAME: THE POETIC CINEMA OF ABBAS KIAROSTAMI

November 11 – November 25
BORSCHT, SAUERKRAUT, GOULASH AND LEMONADE: AN INTRODUCTION TO OSTERNS AND RED WESTERNS

December 2 – December 16
THE LAND IS OURS: YOUSSEF CHAHINE