May 18

BETWEEN PAST AND PRESENT: THE FILMS OF MARGOT NASH

Margot Nash is a Sydney-based filmmaker and academic. Emerging from the vibrant Melbourne theatre scene of the 1970s (when she was involved with the Melbourne Theatre Company and the Australian Performing Group at the Pram Factory) she has gone on to make a number of award-winning films.

Inflected by Nash’s lifelong feminism, the three films in this program provide an introduction, for those that need it, to one of Australia’s great, quietly radical cross-disciplinary filmmakers.

The Melbourne Cinémathèque is extremely proud to present this film event, which will be introduced by the filmmaker herself.


7:00PM – THE SILENCES

Margot Nash
 (2015) 73 mins M
This profoundly moving and tough essay on the tangled bonds, secret histories and unspoken traumas of family life stretches from New Zealand to the Australian suburbs. Nash’s exploration of her childhood and the “silences” of family, mental illness and the past draws upon a wealth of photographs, letters, oral histories, documentary footage and clips from her previous work. An extraordinarily honest portrait of the complex and confusing ties of love, loss and kinship between a mother and daughter.

CTEQ ANNOTATION
Abandonment, Loss and Longing in Margot Nash’s The Silences by Felicity Ford.

Preceded by

Shadow Panic
Margot Nash (1989) 26 mins.
Three women, all strangers, travel through separate but interconnected worlds. Screening to be introduced by the filmmaker.

Both films courtesy of the National Film and Sound Archive, Australia.


9:05PM – VACANT POSSESSION
Margot Nash
 (1995) 95 mins M

Like Nash’s recent, acclaimed essay film, The Silences, this is a work that explores the gaps caused by conflicting self-images, between the need to preserve the shell of a shared, traumatic past and the desire, through “progress”, to expunge it. Tessa (Pamela Rabe) feels the pull to return to her childhood house in the wake of her mother’s death. The messy idea of home, and everything unspoken and unresolved attached to it, is at the centre of a film that sits at an important crossroads in Nash’s career. The title “refers not only to the ‘vacant possession’ of the house but also to Australia itself” (David Stratton).

Screening to be introduced by the filmmaker. 35mm print courtesy of the National Film and Sound Archive, Australia.

CTEQ ANNOTATION
Sensing the Past: Margot Nash’s Vacant Possession by Gabrielle O’Brien.

February 6
OPENING NIGHT 2019

February 13 - February 27
FIGURATIVE LANDSCAPES AND SOCRATIC CONVERSATIONS: THE VISIONARY CINEMA OF NURI BILGE CEYLAN

March 6 - March 20
OLD, WEIRD ALBION: BRITISH SUPERNATURAL AND GOTHIC HORROR CINEMA OF THE 1950s-1970s

March 27 - April 10
“FILMS WITH A MESSAGE JUST MAKE ME LAUGH”: THE UNBLINKING GAZE OF CLAUDE CHABROL

April 17 - May 1
MORAL CRUCIBLES: THE FILMS OF ROBERT ALDRICH 

May 8 - May 22
TIME AND TIDE: YASUJIRO OZU

May 29 - June 12
DANCE TO THE MUSIC OF TIME: THE WORLD OF MAX OPHULS

June 19 - July 3
LINES OF FLIGHT: THE EXISTENTIAL CINEMA OF LARISA SHEPITKO

July 10 - July 17
A WOMAN OF ACTION: THE KINETIC CINEMA OF KATHRYN BIGELOW

July 24
COMING TO AMERICA: ERNST LUBITSCH IN HOLLYWOOD

August 28 -September 4
ENTER LAUGHING: ELAINE MAY’S COMEDIC GENIUS

September 11 - September 25
PRAGUE: A LONGITUDINAL DOCU-FANTASIA

October 2 - October 16
THE WHISPER OF THE GENERATIONS: ERMANNO OLMI’S REALIST CINEMA

October 23 - November 6
ENDURING MODERNITY: THE TRANSCONTINENTAL CAREER OF LOUISE BROOKS

November 13 - November 20
SHIFTING SHELTER: LANDSCAPE AND BELONGING IN THE FILMS OF IVAN SEN

November 27
POETIC PORTRAITS AND MERCURIAL MEMOIRS: THE BIOGRAPHICAL DOCUMENTARIES OF LYNN-MAREE MILBURN

December 4 - December 18
TERENCE DAVIES: THE ART OF MEMORY