Dedicated to screening rare & significant films in their original format.

The Melbourne Cinémathèque is a not-for-profit, volunteer-run film society.

The Melbourne Cinémathèque is a membership-based film society based in Melbourne, Australia.

We hold screenings at The Australian Centre for the Moving image every Wednesday night for most of the year.

Admission is by membership, which can be obtained on a short-term or yearly basis.

We are a volunteer-run, not-for-profit organisation.

NEXT SCREENING

December 15

7:00pm LA BELLE ET LA BÊTE
Jean Cocteau (1946) 93 mins Download (+KDM) – PG

This ageless gothic fairy-tale comes fully to life in Cocteau’s magically surreal romantic spectacle. With a dreamlike tone, complete with fantastical inventions, cinematic trickery, and smoke and mirrors, Cocteau’s opus is one of the true landmarks of French cinema. The beautifully detailed costume designs, Henri Alekan’s extraordinarily opulent and fluid cinematography, and Georges Auric’s memorable score are coupled with highly influential effects (René Clément was technical advisor). Jean Marais, Cocteau’s long-time partner and muse, stars as “The Beast”.

CTEQ ANNOTATION
Once Upon a Time…: Beauty and the Beast by Jeremy Carr


8:45pm LES ENFANTS TERRIBLES
Jean-Pierre Melville (1950) 105 mins Digital DL / New Restoration – Unclassified 15 +

A teenage brother (Edouard Dermithe) and sister’s (Nicole Stéphane) unhealthy obsession with one another leads, inevitably, to suicide. Fatalistic and extraordinarily powerful, Cocteau’s beautiful, otherworldly, profoundly literary script must have seemed virtually unfilmable, but Melville’s precise and poetic cinematic style manages to retain its claustrophobic spirit. Shot mostly at the famed Théâtre Pigalle by Henri Decaë, this is a key work of postwar French cinema.

Digital DL / new restoration courtesy of the British Film Institute Archive.

CTEQ ANNOTATION
Les Enfants Terribles by Martyn Bamber

ABOUT

The Melbourne Cinémathèque started out as the Melbourne University Film Society (MUFS) in 1948 and changed its name to Cinémathèque in 1984.

The Melbourne Cinémathèque aims to present films in the medium they were created and as closely as possible to screen films the way they would have originally screened (i.e. big screen, celluloid prints, not video or DVD).

Programmes include a diverse selection of classic and contemporary films showcasing director retrospectives, special guest appearances and thematic series including archival material and new or restored prints.

We have on occasion hosted numerous seminars featuring renowned film scholars such as David Bordwell, Adrian Martin and Ian Christie. We are also dedicated to providing new annotations on the films we screen via the CTEQ annotations, hosted as a part of the quarterly online film journal Senses of Cinema.

The Melbourne Cinémathèque is self-administered and membership-driven relying on support from individuals, foundations, corporations and government funding to maintain its high standard of excellence. If you would like to be involved, or to offer donations or sponsorship, please contact us.

Presented by The Melbourne Cinémathèque with the Australian Centre for the Moving Image.

Curated by Michael Koller, Adrian Danks, Eloise Ross and Cerise Howard for the Melbourne Cinémathèque

Subtitling Logistics: Lorenzo Rosa

Music Synchronisation: Michael Koller

Supported by Film Victoria, RMIT University & The City of Melbourne Arts Grants Program.

NEWS

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