May 20

FILMS FROM THE CO-OPS (PART 1)

This program presents key works made by filmmakers associated with the Sydney Filmmakers’ Co-operative in the 1970s and ’80s, touching on an alternative history of filmmaking in this rich period and covering films of political activism, social protest, personal expression, sexual liberation and technological and cultural change (Melbourne will be the focus of a follow-up program in 2016).


6:30PM – MY LIFE WITHOUT STEVE
Gillian Leahy (1986) 53 mins PG

Leahy’s celebrated short feature is a passionate exploration of the inner life and everyday world of an “unseen” woman suffering the ache of romantic loss. Brilliantly shot in a Sydney apartment, and situated somewhere between Marguerite Duras and Max Ophuls, it is a “journey into the dazzling dark night of the romantic soul” (Peter Kemp).

Preceded by

Maidens
Jeni Thornley (1978) 28 mins.

Combining home movies, photographs and footage from films she had acted in and worked on, Thornley’s highly influential work creates a poetic and incisively critical “found” footage essay on liberation, sexual equality and the public exploration of family life and history. Please note the earlier 6.30pm start time for this program.


8:15 PM – THE LOVE LETTERS FROM TERALBA ROAD
Stephen Wallace (1977) 50 mins

Wallace stumbled upon a series of letters in a Sydney flat in 1972, written by a man living in Newcastle in 1959. The letters chronicle the man’s persistent plea for forgiveness after having severely beaten his wife, and serve here as the structural narrative against which the screen drama is set. Though the real-life woman, tracked down by a journalist, initially threatened to sue Wallace, she later changed her mind after seeing the film and its treatment of issues of domestic violence. With Kris McQuade and Bryan Brown.


9:20 PM – AGAINST THE GRAIN: MORE MEAT THAN WHEAT
Tim Burns (1980) 76 mins

Burns’ remarkable, dystopic and challenging activist film charts the journey and movements of Ray Unit, a contradictory figure who provides a fascinating conduit through which to survey a range of hot-button issues including home-grown terrorism, woodchipping, national security and the effects of technology on individual freedom.

Preceded by

Serious Undertakings
Helen Grace (1983) 28 mins.

Grace and Erika Addis’ groundbreaking, montage-driven and formally dexterous film playfully explores contemporary politics, screen theory, and images of masculinity and femininity to provide an open-ended argument about history and identity.

7 February
OPENING NIGHT 2024

7 February – 21 February
FROM THE BOULEVARDS OF PARIS TO THE DOCKS OF CHERBOURG: LANDMARKS OF THE FRENCH FILM MUSICAL

28 February – 13 March
"LIVING MAY BE TRAGIC, BUT LIFE ISN'T": THE FILMS OF THE TAVIANI BROTHERS

20 March – 3 April
IN THE AFTERGLOW: THE MERCURIAL STARDOM OF GLORIA GRAHAME

Wednesday 10 April
MAN OF THE CINEMA: A TRIBUTE TO JOHN FLAUS AT 90

17 April – 1 May
KEEP ROLLING: ANN HUI'S COUNTER-CINEMA

8 May – 22 May
"ALL ART IS ONE": THE VISIONARY CINEMA OF MICHAEL POWELL AND EMERIC PRESSBURGER

29 May – 12 June
WRITING WITH HER EYES: SUSO CECCHI D'AMICO, SCREENWRITER AS OBSERVER

19 June – 3 July
THE HOUSE THAT MOHSEN BUILT: THE FILMS OF SAMIRA MAKHMALBAF, MARZIEH MESHKINI AND MOHSEN MAKHMALBAF

10 July – 24 July
THE PAIN OF LIVING: JEAN EUSTACHE, BEING CINEMA

Wednesday 31 July
BETWEEN THE WAVE AND REVOLUTION: THE RETURN OF RIVETTE’S LEGENDARY L’AMOUR FOU

4–18 September
BLIND BEASTS, RED ANGELS AND HOODLUM SOLDIERS: THE IRRESISTIBLE CINEMA OF YASUZO MASUMURA

25 September – 9 October
JIŘÍ MENZEL: MAKING COMEDIES IS NO FUN

16–23 October
OF MEN AND MONSTERS: THE CINEMA OF NIKOS KOUNDOUROS

Wednesday 30 October
CONTESTED HISTORIES: THE DOCUMENTARIES OF JENI THORNLEY

6–20 November
THE FIRST AND LAST OF ENGLAND: THE QUEER LEGACIES OF DEREK JARMAN

Wednesday 27 November
PARADING THE PAST: RECENT ERNST LUBITSCH RESTORATIONS

4–11 December
THE SEEDS OF CHANGE: THE DOCUMENTARIES OF TOM ZUBRYCKI

Wednesday 18 December
CARLTON AND BEYOND: THE MELBOURNE UNIVERSITY FILM SOCIETY IN THE 1960s