November 23

THE THEATRE OF HISTORY: A TRIBUTE TO MANOEL DE OLIVEIRA

Until his death at the age of 106 in April last year, Portuguese director Manoel de Oliveira (1908–2015) was considered to be the oldest active filmmaker in the world. Born not long after the invention of cinema itself, Oliveira was the only director whose career reached from the silent era to the digital age. He was also, unquestionably, a major figure of world cinema who was recognised by lifetime achievement awards from the Cannes and Venice film festivals as well as being awarded the French Legion of Honour. The Melbourne Cinémathèque takes this opportunity to pay tribute to a great director.


7:00PM – VISIT, OR MEMORIES
 AND CONFESSIONS

Manoel de Oliveira
 (1982/2015) 68 mins
Unclassified 15+ Unless accompanied by an adult

Oliveira’s cinematographic elegy is an exploration of spaces (including the director’s home in Porto), objects and loved ones encompassing the prodigious director’s life and filmmaking career. Made in 1982, with the instruction that it not be shown until after his death, Oliveira’s ruminative observations and fluid camerawork bring his distinctive world to life yet again in a deeply personal essay that drifts through physical spaces and orbits around intangible memories. Finally screened in 2015, it is now available with thanks to the Oliveira family.

35mm print courtesy of Cinemateca Portuguesa.


8:20PM – FRANCISCA

Manoel de Oliveira
 (1981) 166 mins
Unclassified 15+ Unless accompanied by an adult

Oliveira’s brilliant and expressly literary adaptation of Agustina Bessa-Luís’ 1979 novel is widely regarded as one of the director’s key works and the first of his long, fruitful collaboration with producer Paulo Branco. In many ways this tragic story of doomed love harks back to the elemental, shadowy world of silent cinema while paving the way for the extraordinarily productive final phase of the director’s career. Deploying a heightened mixture of self-conscious theatricality, historical detail and documentary fidelity, Oliveira’s opus is “one of the most complete expressions of the director’s eight decade career” (Michael J. Anderson).

35mm print courtesy of Cinemateca Portuguesa.

8 February – 22 February
“THE ART IS VERY JEALOUS”: TONINO GUERRA, WRITING IMAGES

1 March – 15 March
MODEL AND SOUL: THE UNCOMPROMISING CINEMA OF ROBERT BRESSON

22 March – 5 April
CRYING ON THE INSIDE: THE EMPATHETIC STARDOM OF TONY LEUNG CHIU-WAI

12 April – 26 April
RETURN FIRE: MARILYN MONROE, ACTOR AND ICON

3 May – 17 May
SOFT AND HARD: THE HIGH-WIRE CAREER OF BURT LANCASTER

24 May
“THE STUFF OF CINEMA”: THE PROLIFIC INDEPENDENCE OF BILL MOUSOULIS

31 May – 14 June
ONE DAY AT A TIME: THE CINEMA OF TSAI MING-LIANG

21 June – 5 July
EVERYONE HAS THEIR REASONS: THE FILMS OF PETER BOGDANOVICH

12 July – 19 July
MAGIC, WHIMSY AND LIGHTBULB MOMENTS: ILDIKÓ ENYEDI’S TRANSPORTIVE CINEMA

26 July
POWER IN THE COLLECTIVE: THE KEY WORKS OF MERATA MITA

30 August – 13 September
GANGSTERS, GUNS AND GAULOISES: FRENCH CRIME CINEMA, 1945–60

20 September
LOTTIE LYELL, AUSTRALIA’S FIRST FILM STAR

27 September – 11 October
“ALL THE WORLD’S BEDLAM”: SCREWBALL, CZECHOSLOVAK STYLE

18 October – 1 November
NOW! CRIME, POLITICS AND REVOLUTION IN 1960s BRAZILIAN CINEMA

8 November
TEMENOS: THE SHARED VISIONS OF GREGORY J. MARKOPOULOS AND ROBERT BEAVERS

15–22 November
BEHIND THE SCREEN: KINUYO TANAKA, TRAILBLAZING FILMMAKER

29 November
COMING TO AUSTRALIA: WOMEN FILMMAKERS AND THE MIGRANT EXPERIENCE

6–20 December
OSTERN POWERS: AN INTRODUCTION TO THE EASTERN EUROPEAN WESTERN