October 5

UNSETTLING WORLDS: TWO FILMS BY LYNNE RAMSAY

Scottish filmmaker Lynne Ramsay (1969–) has realised only a slim body of work, making three feature films since her 1999 debut, yet she has been justly celebrated as one of the most original and powerful voices working in contemporary British cinema. This program explores the “immersive and at times almost overwhelming” (Harvard Film Archive) world of Ramsay’s films, screening two of her intensely personal explorations of youth and grief.


7:00PM – RATCATCHER
Lynne Ramsay
 (1999) 94 mins
Unclassified 15+ Unless accompanied by an adult

Set amongst decrepit Glasgow tenements, Ramsay films this story of a troubled childhood with a transcendental attention to textures and sensations. Assisted by Alwin H. Küchler’s sensitive cinematography, the director ruminates on the fragility of life and desires against the backdrop of a garbage strike. Amidst the earthy colour palette and gloomy realism of Ramsay’s feature debut as writer and director lies a mesmerising glow that reveals a heartbreaking affection for the film’s subjects. With William Eadie and Leanne Mullen, and a powerful musical score by Rachel Portman.


8:45PM – MORVERN CALLAR

Lynne Ramsay
 (2002) 97 mins M

Assuming the literary identity of a recently suicided boyfriend, “Morvern Callar” sets off from small-town Scotland to the sun and parties of southern Spain with her best friend. Lauded at Cannes for its dreamy cinematography, edgy soundtrack (Can, Broadcast, Aphex Twin, Lee Hazlewood) and career-defining performance by Samantha Morton in the title role, Ramsay’s second, much-celebrated feature film is the perfect distillation of her impressionistic cinema of unsettlement. “Pure punk existentialism” (Elvis Mitchell, The New York Times).

35mm print courtesy of the National Film and Sound Archive, Australia.

http://www.imdb.com/video/screenplay/vi4204396825

4–18 February
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25 February–11 March
TALES OF MODERN LOVE: LEOS CARAX, REBIRTHING CINEMA

18 March–1 April
WIM WENDERS, ROADS TO EVERYWHERE

Wednesday 8 April
PERSONS OF INTEREST: THE INDEPENDENT FILM WORK OF HAYDN KEENAN AND ESBEN STORM

15–29 April
X-RAYS OF THE SOUL: THE INTIMATE HUMAN DRAMAS OF RYUSUKE HAMAGUCHI

6–20 May
A WOMAN OF HER TIME: JULIE CHRISTIE

27 May–10 June
NO ONE HERE GETS OUT ALIVE: JOHNNIE TO, DANCING WHILE THE BUILDING BURNS

17 June–1 July
LIGHT WITHOUT MERCY: THE TRAGI-COMIC WORLD OF ROY ANDERSSON

8–22 July
BY ANY MEANS NECESSARY: SPIKE LEE, AMERICAN PROVOCATEUR

Wednesday 29 July
WILD MAN: GEOFF MURPHY AND THE BIRTH OF THE AOTEAROA NEW ZEALAND FILM INDUSTRY

2–16 September
HAUNTED WORLDS: MARIO BAVA, THE DIABOLICAL MAGICIAN OF CINECITTÀ

23 September–7 October
ZDENĚK LIŠKA, COMPOSER AND CO-AUTEUR EXTRAORDINAIRE

14–28 October
ILLICIT ATTACHMENTS: THE CLANDESTINE CINEMA OF MARCEL CARNÉ

4–11 November
THE HEART OF THE MATTER: THE FILM POETICS OF ANNE-MARIE MIÉVILLE

Wednesday 18 November
LIFE ON HOLD: JOCELYNE SAAB, A VOICE FOR THE DISPLACED

Wednesday 25 November
CRITICAL LANDSCAPES: THE POLYMORPHIC WORLDS OF ROSS GIBSON

2–16 December
STRAIGHT SHOOTER: JOHN FORD, AMERICAN MASTER