May 3

BOLD ASPIRATIONS: HAROLD LLOYD AND 1920s AMERICA

With his characters quickly evolving beyond initial comparisons to the tragicomic work of Charlie Chaplin and the deceptively athletic and soulful Buster Keaton, Harold Lloyd (1893–1971) was a genius of physical comedy whose bespectacled go-getters perfectly embody 1920s America’s bold aspirations. A powerful example of an independent artist, Lloyd formed his own production company in 1924, and his formal and technical innovations (such as the trick perspective used for the iconic clock scene from Safety Last!) would go on to inspire many others in the industry. Here is a joyful tribute presenting three of the 12 features he made in the 1920s including two of his most indelible efforts, Safety Last! and The Freshman and the widely underrated Why Worry? ,

May 3

7:00pm SAFETY LAST!
Fred Newmeyer & Sam Taylor (1923) 67 mins
Unclassified (with no age restrictions)

A classic of American social comedy, Lloyd’s most famous work appears today as a singularly lucid encapsulation of the hopes and depredations of early modernism. Trading off his image as the quintessential American “working man,” Lloyd’s bespectacled, go-getter persona substitutes the inspired models of Keaton and Chaplin for a harsher, more existentialist approach to physical comedy. Radically and profoundly de-centring Lloyd’s presence, the film emphasises the ways modern city life enforces social mobility through its control of space – a sobering, very 21st century notion.

CTEQ Annotation:
Safety Last! by James L. Neibaur.

Trailer:


8:20pm WHY WORRY?
Fred Newmeyer & Sam Taylor (1923) 63 mins
Unclassified (with no age restrictions)

In this under-appreciated classic, Lloyd steps out of his famous “speedy” go-getter character and into the role of a wealthy hypochondriac travelling to the tropical “El Paradiso” to relax, yet finding himself in the midst of a revolution. Lloyd’s meticulously designed gag sequences and sly lampooning of American life still dominate even when faced with a foreign “exotic” culture. Containing early examples of the surreal madcap humour subsequently popularised by the Marx Brothers in Duck Soup, it also provided the blueprint for Woody Allen’s Bananas many decades later.

CTEQ Annotation:
Why Worry? by Brad Weismann.


9:35pm THE FRESHMAN
Fred Newmeyer & Sam Taylor (1925) 76 mins
Unclassified (with no age restrictions)

Lloyd’s dopey freshman is determined to be popular in this classic tale of an awkward misfit who falls in love with his landlady’s daughter. Amidst a slew of classic college archetypes and situations, this simple narrative enables Lloyd’s inventive physical comedy to be strengthened by a genuinely sympathetic persona. Lloyd’s biggest box-office hit was also a peak in his artistic career. It also illustrates his influence on the rest of Hollywood, where the number of films using this setting – including Buster Keaton’s College in 1927 – increased exponentially in the following years.

CTEQ Annotation:
The Freshman by Fred Newmeyer & Sam Taylor.

Trailer:

7 February
OPENING NIGHT 2024

7 February – 21 February
FROM THE BOULEVARDS OF PARIS TO THE DOCKS OF CHERBOURG: LANDMARKS OF THE FRENCH FILM MUSICAL

28 February – 13 March
"LIVING MAY BE TRAGIC, BUT LIFE ISN'T": THE FILMS OF THE TAVIANI BROTHERS

20 March – 3 April
IN THE AFTERGLOW: THE MERCURIAL STARDOM OF GLORIA GRAHAME

Wednesday 10 April
MAN OF THE CINEMA: A TRIBUTE TO JOHN FLAUS AT 90

17 April – 1 May
KEEP ROLLING: ANN HUI'S COUNTER-CINEMA

8 May – 22 May
"ALL ART IS ONE": THE VISIONARY CINEMA OF MICHAEL POWELL AND EMERIC PRESSBURGER

29 May – 12 June
WRITING WITH HER EYES: SUSO CECCHI D'AMICO, SCREENWRITER AS OBSERVER

19 June – 3 July
THE HOUSE THAT MOHSEN BUILT: THE FILMS OF SAMIRA MAKHMALBAF, MARZIEH MESHKINI AND MOHSEN MAKHMALBAF

10 July – 24 July
THE PAIN OF LIVING: JEAN EUSTACHE, BEING CINEMA

Wednesday 31 July
BETWEEN THE WAVE AND REVOLUTION: THE RETURN OF RIVETTE’S LEGENDARY L’AMOUR FOU

4–18 September
BLIND BEASTS, RED ANGELS AND HOODLUM SOLDIERS: THE IRRESISTIBLE CINEMA OF YASUZO MASUMURA

25 September – 9 October
JIŘÍ MENZEL: MAKING COMEDIES IS NO FUN

16–23 October
OF MEN AND MONSTERS: THE CINEMA OF NIKOS KOUNDOUROS

Wednesday 30 October
CONTESTED HISTORIES: THE DOCUMENTARIES OF JENI THORNLEY

6–20 November
THE FIRST AND LAST OF ENGLAND: THE QUEER LEGACIES OF DEREK JARMAN

Wednesday 27 November
PARADING THE PAST: RECENT ERNST LUBITSCH RESTORATIONS

4–11 December
THE SEEDS OF CHANGE: THE DOCUMENTARIES OF TOM ZUBRYCKI

Wednesday 18 December
CARLTON AND BEYOND: THE MELBOURNE UNIVERSITY FILM SOCIETY IN THE 1960s