February 6

Opening Night 2019

The opening night of our 2019 program features a recent restoration of one of the great “last works” of any director in the history of cinema, Sergio Leone’s (1929–1989) truly monumental, deeply cinephilic and profoundly knowing final film, Once Upon a Time in America. Notoriously cut down to a length of 139 minutes for its botched US release, in the year the Melbourne Cinémathèque was launched, this gangster epic is one of the great accounts of the hopes of migration, the corruption of unfettered capitalism and the wasted opportunities and distorted perspectives of the “American Century”. Drawing on many of the themes, ideas and motifs found in Leone’s celebrated Spaghetti Westerns, and tapping into the sensibility of the Italian crime films of the 1970s, this 2012 restoration is truly one of the defining post-classical genre films, a movie whose vaunted reputation has continued to gather momentum over the last 35 years and that provides a perfect opening to our 2019 calendar.

February 6

7:00pm – ONCE UPON A TIME IN AMERICA
(Extended Version)

Sergio Leone (1984) 251 mins Unclassified 18+

A crime saga truly unparalleled in scope, Leone’s audacious gangster epic traverses five decades in the lives of David “Noodles” Aaronson (Robert De Niro) and Max Bercovicz (James Woods), from their hardscrabble beginnings in the milieu of a Brooklyn Jewish ghetto to the peak of their Prohibition-era bootlegging empire. Leone is at his most daringly experimental as he jumps freely through time and space, deeply probing themes of greed, violence, betrayal and the inexorable passage of time. The Italian master’s final – and perhaps greatest – film presents an outsider’s perspective on the immigrant experience and the grand illusion of the American Dream. Famously mutilated by an overly cautious distributor for US release, this 2012 restoration is the closest contemporary audiences are likely to come to Leone’s original vision.

Featuring one of Ennio Morricone’s greatest and most affecting scores, and an extraordinary gallery of supporting performances from Elizabeth McGovern, Treat Williams, Tuesday Weld and Joe Pesci.

CTEQ ANNOTATION
‘Fractured images and tainted dreams: Sergio Leone’s Once upon a Time in America by Danica van de Velde.

4–18 February
"YOU CAN NEVER GO FAST ENOUGH": THE EARLY 1970s ROAD MOVIE AS THE QUINTESSENTIAL NEW HOLLYWOOD GENRE

25 February–11 March
TALES OF MODERN LOVE: LEOS CARAX, REBIRTHING CINEMA

18 March–1 April
WIM WENDERS, ROADS TO EVERYWHERE

Wednesday 8 April
PERSONS OF INTEREST: THE INDEPENDENT FILM WORK OF HAYDN KEENAN AND ESBEN STORM

15–29 April
X-RAYS OF THE SOUL: THE INTIMATE HUMAN DRAMAS OF RYUSUKE HAMAGUCHI

6–20 May
A WOMAN OF HER TIME: JULIE CHRISTIE

27 May–10 June
NO ONE HERE GETS OUT ALIVE: JOHNNIE TO, DANCING WHILE THE BUILDING BURNS

17 June–1 July
LIGHT WITHOUT MERCY: THE TRAGI-COMIC WORLD OF ROY ANDERSSON

8–22 July
BY ANY MEANS NECESSARY: SPIKE LEE, AMERICAN PROVOCATEUR

Wednesday 29 July
WILD MAN: GEOFF MURPHY AND THE BIRTH OF THE AOTEAROA NEW ZEALAND FILM INDUSTRY

2–16 September
HAUNTED WORLDS: MARIO BAVA, THE DIABOLICAL MAGICIAN OF CINECITTÀ

23 September–7 October
ZDENĚK LIŠKA, COMPOSER AND CO-AUTEUR EXTRAORDINAIRE

14–28 October
ILLICIT ATTACHMENTS: THE CLANDESTINE CINEMA OF MARCEL CARNÉ

4–11 November
THE HEART OF THE MATTER: THE FILM POETICS OF ANNE-MARIE MIÉVILLE

Wednesday 18 November
LIFE ON HOLD: JOCELYNE SAAB, A VOICE FOR THE DISPLACED

Wednesday 25 November
CRITICAL LANDSCAPES: THE POLYMORPHIC WORLDS OF ROSS GIBSON

2–16 December
STRAIGHT SHOOTER: JOHN FORD, AMERICAN MASTER