February 6

Opening Night 2019

The opening night of our 2019 program features a recent restoration of one of the great “last works” of any director in the history of cinema, Sergio Leone’s (1929–1989) truly monumental, deeply cinephilic and profoundly knowing final film, Once Upon a Time in America. Notoriously cut down to a length of 139 minutes for its botched US release, in the year the Melbourne Cinémathèque was launched, this gangster epic is one of the great accounts of the hopes of migration, the corruption of unfettered capitalism and the wasted opportunities and distorted perspectives of the “American Century”. Drawing on many of the themes, ideas and motifs found in Leone’s celebrated Spaghetti Westerns, and tapping into the sensibility of the Italian crime films of the 1970s, this 2012 restoration is truly one of the defining post-classical genre films, a movie whose vaunted reputation has continued to gather momentum over the last 35 years and that provides a perfect opening to our 2019 calendar.

February 6

7:00pm – ONCE UPON A TIME IN AMERICA
(Extended Version)

Sergio Leone (1984) 251 mins Unclassified 18+

A crime saga truly unparalleled in scope, Leone’s audacious gangster epic traverses five decades in the lives of David “Noodles” Aaronson (Robert De Niro) and Max Bercovicz (James Woods), from their hardscrabble beginnings in the milieu of a Brooklyn Jewish ghetto to the peak of their Prohibition-era bootlegging empire. Leone is at his most daringly experimental as he jumps freely through time and space, deeply probing themes of greed, violence, betrayal and the inexorable passage of time. The Italian master’s final – and perhaps greatest – film presents an outsider’s perspective on the immigrant experience and the grand illusion of the American Dream. Famously mutilated by an overly cautious distributor for US release, this 2012 restoration is the closest contemporary audiences are likely to come to Leone’s original vision.

Featuring one of Ennio Morricone’s greatest and most affecting scores, and an extraordinary gallery of supporting performances from Elizabeth McGovern, Treat Williams, Tuesday Weld and Joe Pesci.

CTEQ ANNOTATION
‘Fractured images and tainted dreams: Sergio Leone’s Once upon a Time in America by Danica van de Velde.

7 February
OPENING NIGHT 2024

7 February – 21 February
FROM THE BOULEVARDS OF PARIS TO THE DOCKS OF CHERBOURG: LANDMARKS OF THE FRENCH FILM MUSICAL

28 February – 13 March
'LIVING MAY BE TRAGIC, BUT LIFE ISN'T': THE FILMS OF THE TAVIANI BROTHERS

20 March – 3 April
IN THE AFTERGLOW: THE MERCURIAL STARDOM OF GLORIA GRAHAME

Wednesday 10 April
MAN OF THE CINEMA: A TRIBUTE TO JOHN FLAUS AT 90

17 April – 1 May
KEEP ROLLING: ANN HUI'S COUNTER-CINEMA

8 May – 22 May
'ALL ART IS ONE': THE VISIONARY CINEMA OF MICHAEL POWELL AND EMERIC PRESSBURGER

29 May – 12 June
WRITING WITH HER EYES: SUSO CECCHI D'AMICO, SCREENWRITER AS OBSERVER

19 June – 3 July
THE HOUSE THAT MOHSEN BUILT: THE FILMS OF SAMIRA MAKHMALBAF, MARZIEH MESHKINI AND MOHSEN MAKHMALBAF

10 July – 24 July
THE PAIN OF LIVING: JEAN EUSTACHE, BEING CINEMA

Wednesday 31 July
BETWEEN THE WAVE AND REVOLUTION: THE RETURN OF RIVETTE’S LEGENDARY L’AMOUR FOU

4–18 September
BLIND BEASTS, RED ANGELS AND HOODLUM SOLDIERS: THE IRRESISTIBLE CINEMA OF YASUZO MASUMURA

25 September – 9 October
JIŘÍ MENZEL: MAKING COMEDIES IS NO FUN

16–23 October
OF MEN AND MONSTERS: THE CINEMA OF NIKOS KOUNDOUROS

Wednesday 30 October
CONTESTED HISTORIES: THE DOCUMENTARIES OF JENI THORNLEY

6–20 November
THE FIRST AND LAST OF ENGLAND: THE QUEER LEGACIES OF DEREK JARMAN

Wednesday 27 November
PARADING THE PAST: RECENT ERNST LUBITSCH RESTORATIONS

4–11 December
THE SEEDS OF CHANGE: THE DOCUMENTARIES OF TOM ZUBRYCKI

Wednesday 18 December
CARLTON AND BEYOND: THE MELBOURNE UNIVERSITY FILM SOCIETY IN THE 1960s